Free guitar riffs and lick












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Bend up to the 3rd C with your ring finger, holding it while you play the 5th E with your pinkie. These types of passages feature simultaneous-sounding note pairs—interval shapes like 3rds, 4ths and 6ths—often played with hybrid picking. In any form of music, some melodic ideas sound more at a home than others. Try doing the same yourself. Jazzers also need to be equally adept at unloading ii-V-I lines suitable for minor keys in A minor.

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Using Blues Licks In Your 12 Bar Blues Riffs

To glean the effectiveness of these licks you need only sample the output of classic rockers like Jimmy Page and Jimi Hendrix, southern rock revolutionaries like Gary Rossington and Duane Allman, hard rock innovators like Eddie Van Halen and Randy Rhoads, and metal heads like Zakk Wylde and Dimebag Darrell. Vibrato the root A with your index finger like a hummingbird. Guitar riffs should be learned in the context of a scale pattern. The resulting dyad A—C provides the 5th and b7th of the IV chord, reinforcing its bluesy, dominant 7th flavor. The second pattern, FIGURE 2 , is a reduced version of this same scale, which includes only the root, b3rd, 4th, 5th and b7th. Pentatonic licks are a key characteristic of authentic-sounding blues.

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Top 25 easy guitar riffs and intros

Remember all of these licks can be moved up or down the fretboard, which means that you can fit them into just about any key. Play the root A with your ring finger, crossing over it with your middle finger to access the 5th. Try doing the same yourself. This requires ample use of held bends—striking a note on a lower string, bending it to a particular pitch, then holding that bend while notes on higher strings are sounded. But more importantly, you should listen to the music you like, just as much as you practice it.

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Description: The resulting dyad A—C provides the 5th and b7th of the IV chord, reinforcing its bluesy, dominant 7th flavor. Start with your ring finger, using it for the full-step bend and the repeat of the root A. Dm7-G7-Cmaj7 with single-note phrases. You can drop any of these into a blues-based progression and come out smiling. Remember all of these licks can be moved up or down the fretboard, which means that you can fit them into just about any key. The bends to the b5th Eb and the b7th G tantalize our auditory nerves before resolving smoothly to the 4th D , which is the root of the IV chord. Pentatonic licks are a key characteristic of authentic-sounding blues. These types of passages feature simultaneous-sounding note pairs—interval shapes like 3rds, 4ths and 6ths—often played with hybrid picking. In any form of music, some melodic ideas sound more at a home than others.
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